![]() The cerebral waltz brings more than a whiff of Ravel’s Valse Nobles et Sentimentales. ![]() Chimes announce the duchess’s wedding march, which resounds in ominous rather than celebratory tones. A series of violin solos, elegantly played by associate concertmaster Alexander Velinzon, suggest the perfumed world of an upper crust salon. Wails from the brass and the distinctive sound of the saxophone set the stage for a mock tango that even quotes a melody by tango master Carlos Gardel. ![]() In 2017 Adès devised a suite for full orchestra highlighting six sections from the opera’s original chamber score.Īdès manages to create a thoroughly contemporary soundscape that harkens back to the jazz age. On Sunday afternoon he took the podium at Tanglewood’s Koussevitzky Music Shed to conduct the BSO in music from his opera Powder Her Face and two works by Sibelius.Īdès’ 1995 satirical opera Powder Her Face depicts the rise and fall of the notorious Duchess of Argyll Ethel Margaret Campell (1912-1993). But his position as the Boston Symphony Orchestra’s artistic associate allows him to display his considerable talents as conductor, pianist and contemporary music programmer. Thomas Adès has long won acclaim as one of England’s most gifted composers. Christian Tetzlaff performed Sibelius’s Violin Concerto with Thomas Adès conducting the Boston Symphony Orchestra Sunday at Tanglewood.
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